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| ANNOUNCED by all the trumpets of the sky, |
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| Arrives the snow, and, driving o’er the fields, |
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| Seems nowhere to alight: the whited air |
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| Hides hills and woods, the river, and the heaven, |
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| And veils the farm-house at the garden’s end. |
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| The sled and traveller stopped, the courier’s feet |
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| Delayed, all friends shut out, the housemates sit |
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| Around the radiant fireplace, enclosed |
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| In a tumultuous privacy of storm. |
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| Come see the north wind’s masonry. |
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| Out of an unseen quarry evermore |
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| Furnished with tile, the fierce artificer |
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| Curves his white bastions with projected roof |
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| Round every windward stake, or tree, or door. |
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| Speeding, the myriad-handed, his wild work |
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| So fanciful, so savage, naught cares he |
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| For number or proportion. Mockingly, |
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| On coop or kennel he hangs Parian wreaths; |
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| A swan-like form invests the hidden thorn; |
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| Fills up the farmer’s lane from wall to wall, |
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| Maugre the farmer’s sighs; and at the gate |
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| A tapering turret overtops the work. |
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| And when his hours are numbered, and the world |
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| Is all his own, retiring, as he were not, |
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| Leaves, when the sun appears, astonished Art |
25 |
| To mimic in slow structures, stone by stone, |
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| Built in an age, the mad wind’s night-work, |
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| The frolic architecture of the snow. |
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